1. CONCEPTUAL PROPOSAL
1. CONCEPTUAL PROPOSAL
Everything begins with an idea. Before thinking about models, locations, or styling, we define what we want to convey and how we want to tell the collection's story.
The conceptual proposal is the starting point that helps guide all subsequent decisions: from the aesthetic and atmosphere to the garments that will take center stage before the camera.
Everything begins with an idea. Before thinking about models, locations, or styling, we define what we want to convey and how we want to tell the collection's story.
The conceptual proposal is the starting point that helps inform all subsequent decisions: from the aesthetic and atmosphere to the garments that will take center stage in front of the camera.
2. Look for inspiration
2. Seek inspiration
With the idea clear, it is time to look for references. Images, colors, fabrics, silhouettes, locations, or small details that help build the visual universe of the shoot.
Inspiration does not have to come solely from fashion. A texture, a photograph, a film, or even a space can become the starting point for defining an aesthetic.
Everything is gathered and transformed into a visual proposal that serves as a guide for the entire team.
With the idea clear, it is time to look for references. Images, colors, fabrics, silhouettes, locations, or small details that help build the visual universe of the shooting.
Inspiration does not have to come solely from fashion. A texture, a photograph, a film, or even a space can become the starting point for defining an aesthetic.
Everything is gathered and transformed into a visual proposal that serves as a guide for the entire team.
3. Find the model
3. Find the model
Choosing the model is also part of the creative process. It is not just about looking for an image, but about finding someone who manages to convey the essence we are looking for and who feels natural wearing the garments.
Attitude, movement, and the way each look is interpreted are some of the aspects taken into account to ensure the clothing comes to life in front of the camera.
Choosing the model is also part of the creative process. It is not just about looking for an image, but about finding someone who can convey the essence we are looking for and who feels natural wearing the garments.
Attitude, movement, and the way of interpreting each look are some of the aspects that are taken into account to ensure the clothing comes to life in front of the camera.
The special: ZAIRA Beige Jacket
The special: ZAIRA Beige Jacket
A reinterpretation of the classic trench coat through a more special silhouette and details that make a difference. The ZAIRA Beige jacket turns a timeless garment into a standout piece, perfect for experimenting with different styles and occasions.
A reinterpretation of the classic trench coat through a more special silhouette and details that make a difference. The ZAIRA Beige jacket transforms a timeless garment into a statement piece, perfect for playing with different styles and occasions.
5. LUCES, CÁMARA Y ACCIÓN
5. LUCES, CÁMARA Y ACCIÓN
Llega el momento en el que todo lo trabajado empieza a cobrar sentido. El concepto se encuentra con el espacio, la modelo con las prendas y cada detalle comienza a formar parte de una misma imagen.
A través de la mirada del fotógrafo y de nuestro equipo, todo ello queda reflejado en las fotografías finales: el resultado de un proceso en el que cada decisión cuenta y que nos permite mostrar, de principio a fin, todo lo que hay detrás de BIMANI.
Llega el momento en el que todo lo trabajado empieza a cobrar sentido. El concepto se encuentra con el espacio, la modelo con las prendas y cada detalle comienza a formar parte de una misma imagen.
A través de la mirada del fotógrafo y de nuestro equipo, todo ello queda reflejado en las fotografías finales: el resultado de un proceso en el que cada decisión cuenta y que nos permite mostrar, de principio a fin, todo lo que hay detrás de BIMANI.
